Alice Martin is a Classical Soprano, currently studying her Masters in Vocal Performance at the
Royal Welsh College of Music and Drama . She performs regularly as a concert soloist, with recent performances including
Pergolesi's Stabat Mater (Cardiff Oratory 2025),
Handel's Messiah (West Wycombe Chamber Choir 2025, Warwick & Kenilworth Choral Society 2024),
Handel's Dixit Dominus (Welsh Camerata 2025),
Dvorak's Mass in D (Llandaff Cathedral Choral Society 2025), and
Stanford's Requiem (Oxford University Press Choir 2024). At the Royal Welsh College, Alice won the
John Ireland Competition 2025 and she was selected to perform as the Soprano soloist in
Handel's Dixit Dominus, conducted by Harry Christophers.
Alice was a young artist in The Sixteen's
Genesis Sixteen programme (2023/24) where she received high-quality vocal training in chamber choir and consort repertoire. She was a member of the
National Youth Choir of Great Britain (2017-2025), appearing in over 20 recordings for the NYCGB and NYCGB Fellowship, some of which feature her as a soloist. As a member of
National Youth Voices, Alice has performed with the
BBC Singers ("Our Living Future" 2023),
London Handel Festival Singers ("Alexander's Feast" 2023),
Aurora Orchestra ("Beethoven's Ninth By Heart" BBC Proms 2024), and
London Voices ("Qawwali Project" 2025).
Alice is currently a Choral Clerk at
Cardiff Oratory and a member of
The Elgar Scholars. Recently, she has sung with the
Welsh National Opera Chorus ("A Chorus Christmas" 2024), and deputised for
Somerville College Choir and
Contrepoint. Alice enjoys curating recitals and has organised numerous concerts across the South East, South Wales, and the West Midlands.
During her undergraduate studies, Alice was a member of
Birmingham University Singers (2019-2022) conducted by Bob Chilcott, and she toured with
Birmingham Voices at Birmingham Symphony Hall, the Barbican, and Bridgewater Hall. Alice also explored symphonic choral repertoire with the
University of Birmingham Voices, performing
Mahler's Symphony No. 8 (2020) and
Stanford's Requiem at Birmingham Symphony Hall. She has also drawn from over 10 years of training in dance and drama for operatic roles; Alice played Barbarina in
The Marriage of Figaro (Saluzzo Opera Academy 2021) and performed in the premiere of the chamber opera
Seven Ways to Wait (Arcola Theatre 2022).